I have loved dolls, history, and the Victorian Era since I was little and can credit my grandmother for that. As a young girl she gave me a Godey’s Fashion print for August 1870 from my great, great Aunt Flossie. I was captivated by the dresses and became hooked. I just love to research everything and anything about the Victorian Era. I also love to design Victorian dolls. I hope you enjoy my Victorian Dolls, Victorian Traditions,The Victorian Era, and Me blog.

Friday, December 12, 2014

Reminded How Much I Love My Victorian Village Cross-Stitch




In putting my Christmas decorations out this year I had decided to put my Victorian Village cross-stitch shadow boxes on the mantle in my dining room next to the two nutcrackers and one snowman nutcracker.

In setting them up I was reminded about how beautiful the cross-stitch design was and how beautiful they looked in the shadow boxes my younger brother have made for me and which I had sponge painted.

My Victorian house village was created based upon a Dimensions cross-stitch Gold Collection kit called "Christmas Village Ornaments." It was supposed to be a series of Victorian house ornaments with a cross-stitch front and felt cloth back outlined with a braided gold band.

However, I didn't make my Victorian village as cloth ornaments. Instead, I enlisted the help of my younger brother to create wood shadowboxes that I painted with a blue/white/green sponge affect.



I had purchased this kit with the thought of giving the finished projects as Christmas gifts several years ago.

However, like everything else I create cross-stitch I tend to fall in love with the finished products. Some more so than others. Some so much so that, sometimes, I selfishly decide to keep them for myself and my home decor. Okay, to be honest, make that many times.

However, it's not always my fault. Sometimes it's hubbies fault. He, too, tends to fall in love with some of my creations and doesn't want to give them away. So, I guess I'll have to thank hubby for convincing me to keep the Victorian Village.

Now if you really believe I kept the Victorian Village just because hubby loved them and not because they had something to do with the Victorian era I have a bridge I could sell you.....

Saturday, June 14, 2014

Gotta Love Fall Dolls


Fall is my favorite season of the year. There's just something about the Fall that makes me want to create something. Maybe it's all the vivid colors or all the holidays and the decorations you can make for all of them.

Whatever it is I LOVE the Fall.  So, of course, I love creating dolls with Fall themes, Fall colored clothing, etc.

Here's some of the Fall and Colonial dolls I created this Spring::

Tuesday, June 10, 2014

Gotta Love Good Housekeeping Vintage Covers


I don't know if my Great Grandmothers and Great Great Grandmothers subscribed to Good Housekeeping back in the early years of the magazine.  I know both my Mother and my Grandmother on my mother's side did for many, many years.  As a child I can remember flipping through the pages looking at all the pictures.

So when I stumbled upon the Good Housekeeping Vintage Cover Gallery I couldn't help but show you some of the cover I love.

I just love the cover above from the February 1918 issue of Good Housekeeping and the November 1921 issue. Every time I look at them I think of my sister and I. How sweet are they?


The cover below from March 1920 is also a favorite of mine. Now I wonder why that is? Could it be a little girl sewing?

Wednesday, March 19, 2014

Peter With The Big Eyes Loves His Fall Outfit - New Handmade Colonial Doll and E-Pattern


"Pamela With The Big Eyes Loves Her Fall Colors" and her brother, "Peter With The Big Eyes Loves His Fall Outfit",  are unusually close.  They're fraternal twins, born two minutes apart on October 12 - Columbus Day. As a result they love the Fall and it's bright, beautiful colors, and they love being Colonial. Born and bred in Salem, MA.

So, it is no surprise that they love to wear their best Fall outfits when out for a walk on a beautiful Fall day. They love to walk down near the pier and the harbor. It's just so beautiful and peaceful down there. Plus, when they get hungry they can have afternoon tea and one of their favorite scones at a local cafe.

Pamela is a quiet, shy but  proper, colonial girl. She was taught how to be a gracious lady and believes in being proper,  friendly and courteous at all times - especially when out in public. Her only problem is that everyone keeps looking at her and her big, beautiful eyes - especially the young "gentlemen.". With all the eyes on her she gets self-conscious and starts to blush.  And, when that happens she blushes from head to toe. Then all the young gentleman can't help themselves and vie for her attention - which irks her brother, Peter, to no end.

Pamela With The Big Eyes Loves Her Fall Colors - New Handmade Colonial Doll and E-Pattern


"Pamela With The Big Eyes Loves Her Fall Colors" and her brother, "Peter With The Big Eyes Loves His Fall Outfit",  are unusually close.  They're fraternal twins, born two minutes apart on October 12 - Columbus Day. As a result they love the Fall and it's bright, beautiful colors, and they love being Colonial. Born and bred in Salem, MA.

So, it is no surprise that they love to wear their best Fall outfits when out for a walk on a beautiful Fall day. They love to walk down near the pier and the harbor. It's just so beautiful and peaceful down there. Plus, when they get hungry they can have afternoon tea and one of their favorite scones at a local cafe.

Sunday, March 9, 2014

My Celia's Art Doll


Celia has been a member of The Red Hat Society for a long time and thoroughly enjoys the times they get together. She and the other ladies of the club love dressing up in their purple dresses and red hats, and letting their hair down. Sometimes things get a little wild, but that doesn't deter any of the ladies. They love their lives, they love each other, and best of all they love happy fun - especially when it's the dress-up kind.

"Celia - Art Doll" is a 19" art doll with a cloth body, embroidered face with wire glasses, fully wired and bendable cloth body, and thick white curly hair. She is wearing red print bloomers gathered at the waist and ankles. Her black felt boots are criss-crossed with DMC embroidery floss for laces.

Tuesday, August 27, 2013

My Victorian Faceless Ladies Art Dolls

My love affair with the Victorian Era started a long time ago. In fact, sometimes I think I was born in the wrong era. My Victorian "Lady" dolls are all faceless because I wanted each to have its' own distinct personality. My feeling is that faces overwhelm the dolls personality and have a greater impact on her personality. I wanted the clothing, clothes, hair, color scheme, etc. of the period to determine the personality of the doll. I hope you enjoy my Victorian "ladies."

My Victorian Faceless Ladies Dolls


Designer - Linda Walsh of Linda Walsh Originals

For more information on my Victorian Faceless Lady Dolls print patterns and e-patterns please CLICK HERE.


Designer - Linda Walsh of Linda Walsh Originals

For more information on the Victorian Faceless Lady Handmade Dolls that I have for sale please CLICK HERE.

Tuesday, June 25, 2013

My Victorian Paper-Clay Bird Dolls


I should have known better than to ever let the "dollies" mingle with the trio of "birdies" I was making for my Artful Gathering "Briley The Birdie" class with Colleen Moody. The "dollies" convinced the "birdies" they should be different than "Briley."

So, despite my best efforts to get them to conform my trio of "birdies" decided to be rebellious and be the class radicals. They decided they didn't want to be cream colored. They  wanted to be sponge painted. They insisted on it and then they had all the "dollies" urge me to sponge paint them.

There were just too many "dollies" clamoring for this that I had to acquiesce. Now I know you all know I hate to give in to the "dollies" demands but with the trio of "birdies" and all the "dollies" clamoring I was sorely outnumbered.


I thought if I gave in to the trio of "birdies" on this they'd calm down and let me create them the way I wanted to. Au contraire!  Each one had already developed a personality of their own and therefore a style they thought was best for them. Who was I to argue? I was just their creator. So, once again, I acquiesced.


One thought she was a Queen and wanted to be treated like one. I named her Queen Annabell but I refused to bow and curtsy to her.





Another decided she wanted to be Bohemian. I named her Natasha.







And, the third decided she wanted to be Funky. I named her Phebe.







Right now when I look at them all together they look like little "biddies" conspiring to me.  Of course, I see bogey men everyone when it comes to my "dollies" and their demands.  And, since the "birdies" have developed such a close relationship with the rest of the "dollies" who knows what they'll be demanding next.


I'll just have to wait and see.  For sure, I'm not going to wait on them.  I might serve them afternoon tea, but that's it.


Perhaps I'll be surprised and they'll be delightful.  Perhaps they'll be nice, well-mannered, and a delight to be around.  Perhaps their charm will rub off on the rest of the "dollies."  Perhaps.......


Friday, February 8, 2013

My Queen Anne House Cross-Stitch Picture


When trying to decide on which small cross-stitch kits I wanted to try last year I knew I wanted to cover several holidays and seasons. To cover the Christmas holiday season and the winter season I choose the counted cross-stitch and bead design from Mill Hill - -Buttons &  Beads Series #MH14-7301 Queen Anne House. I, of course, just love Victorian Houses so this was a simple choice for me!

Like the other Mill Hill  - Buttons & Beads Series patterns I had bought the Queen Anne House kit included the pattern, embroidery thread, perforated paper, beads, 2 needles and instructions.

The Queen Anne House pattern uses full counted cross-stitch and outline stitching as well as beads for emphasis and depth. The pattern also calls for certain areas of the perforated paper to be left untouched as the background.

Given the experience I had with my "Spirit of Quilting Angel Counted Cross Stitch Project" and the fragile nature of perforated paper I decided to add wide masking tape to the back of my perforated paper before I started cross-stitching. I also decided to utilize the rectangular wood frame jig that my darling husband built for me that I could tape the edges of my perforated paper to. The wood frame jig was a rectangular embroidery hoop of sorts, but without bending the paper. He made it out of 1/2" x 1" pine wood strips. It also had an adjustable center strip that I used for this 5 x 5 square design.

I also decided this time that I needed to draw diagonal lines to locate the exact center of the perforated paper as in the Gather Together  cross-stitch picture I was slightly off center by a few holes which caused a problem with inserting the needles in the holes along one of the edges of my frame. So, I drew a diagonal line across each corner to get the center point of the perforated paper.

I had also run into a slight problem with the beads along the edge of the Gather Together  cross-stitch picture I had done when framing it so this time I also drew squares on the perforated paper to show me where the 5" x 5" square was and where a 4 1/2" x 4 1/2" square would be. The reason for the latter was because one of the frames I was considering for this while 5" x 5" only displayed 4 1/2" x 4 1/2" in the glass window. So, I wanted to make sure that I was okay as far as the design and beads were concerned along the edges were I to use this frame. Ten to one I was going to use the shadowbox frame like I had done for my Gather Together  cross-stitch picture so this wouldn't be a problem. But, just in case I didn't I wanted to be prepared.

While the end results of this design were wonderful some things in the kit and in the instructions could be improved upon. I'd like to offer the following constructive suggestions:

The cross-stitch chart was in black and white as was the floss color code and symbol key. Both were easy to read and very clear. While I had no problem with the chart and keys I did have a problem with the way the DMC floss was presented. All of the floss was tied together in one big knot so you had to separate the floss pieces yourself, sort them, and try to interpret which color belonged to which floss # and symbol key on the color chart.  If you only have a few colors to deal with this isn't a problem. However, if you have several different colors of say green to choose from that are close in color then interpreting the chart can be tricky. You may assign the wrong color to the wrong symbol if the colors are too closely aligned.

As I have done with other cross-stitch kits I've completed I had to design my own thread color sorter and symbol key. I took a piece of thin cardboard and cut a 1" x 9" long rectangular piece out to use as a thread sorter. I then punched 20 holes in my cardboard strip in which to tie each of the different colors. Just above the hole I wrote the DMC floss # and just below the hole I added the respective cross-stitch symbol. I then inserted the floss threads that went with that # and symbol through the hole and tied them in a loose knot. This kit could be much improved if a thread sorter with respective #'s and symbols was provided.

The beads were contained within two small ziploc bags which was fine. However, several different color beads were contained within each bag without any indication as to what bead numbers were included within the respective bag. If you only had one color bead to choose from in a bag this wouldn't have been a problem. However if there were multiple green beads within one bag or one bag contained green beads and the other bag contained green beads then you were left to interpret which color green bead the color chart was referring to. Labeling the ziploc bags as to which bead number they contained would enhance this kit.

I love using beads in cross-stitch designs as I think they really enhance the designs, as was the case with this kit. However, I had a tough time trying to thread the really tiny needle that came in this kit for beading purposes. I know the head of the needle has to fit through the tiny bead openings, but these needles were really, really difficult to thread and trying to do so was not only frustrating, but time consuming.

The pattern called for certain areas of the perforated paper to be left untouched as the background like the picture shown below:

Sunday, December 2, 2012

My Victorian Fashions Pinterest Board and My Historic Periods Fashion Pinterest Board

One of the things I absolutely love about my Linda Walsh Pinterest boards is I can collect all the Victorian and Historic Periods fashions I love in one neatly organized place.

Well, now Pinterest has a wonderful widget that allows me to add a snippet of my two boards within a blog post or on the sidebar of my blog so I can easily share some of my boards with all of you here.



If you'd like to see more of my Victorian Fashions Pinterest board just click on the board above or CLICK HERE.



If you'd like to see more of my Historic Periods Fashions Pinterest board just click on the board above or CLICK HERE.

I added the Pinterest widget to the sidebar of my my Victorian Dolls, Victorian Traditions, The Victorian Era and Me Blog. so you can visit my Victorian and Historic Periods Fashions boards whenever you visit my Victorian Dolls, Victorian Traditions, The Victorian Era and Me Blog.


Tuesday, June 26, 2012

What A Surprise! My Crazy Quilt Purse Is Definitely VERY Victorian!



What is it they say?  "A little rain never hurt anyone!"  Well, that's true as far as I'm concerned as a little rain today allowed me extra time to finish my crazy quilt purse.

If you've been following along with the posts on my Linda's Blog you know that I've been taking my very first online class with Pat Winter on Artful Gathering. The class is called Crazy Quilting 101 and I have LOVED every minute of the class. Pat is such a fantastic teacher. I only wish I had taken one of her classes years ago.

My head is filled with all sorts of ideas for crazy quilting creations that I can make and, maybe, give as Xmas presents this year. Who knows! My head is spinning.

What I do know is that I LOVE crazy quilting and may have found a new passion.  And, that passion is very much up my Victorian passions alley.

Does that mean I'm giving up of dolls, Victorian fashions, silk florals, history and everything else I LOVE. Of course not! It just means I'm going to find a way to combine everything I love. That means I may be creating crazy quilting things related to Victorian dolls or florals.  Maybe a little genealogy? You never know.


I ended up lining and finishing with some addition iron-on interfacing added to the lining material as well.  So, both the lining pieces and the front and back pieces ended up with iron-on interfacing on them.  The front actually ended up with two iron-on interface pieces.

I'm also thinking that I'm going to sew two large snaps to the inside top of my purse to hold the top closed. That way no one can just reach in and steal my belongings. Not that I'd put anything in it worthy of stealing! Well, chapstick maybe!

I'm really pleased with the way my purse came out. Definitely looks Victorian which is certainly right up my alley. I may just have to keep my beautiful blue purse. I'm such a bad sister!


Saturday, May 5, 2012

Historical Fashion Periods Timeline

Yesterday I posted an article entitled "A Wonderful Moseying At The MET!" concerning my preliminary research on the historical fashion periods and what I had learned.  Since I tend to like everything nice and neat and totally organized I decided the best way for me to try and understand the different fashion periods was to create a time line that I could update, change, and add to from time to time.

So, I created the following timeline that I've added to the sidebar of my Victorian Dolls, Victorian Traditions, The Victorian Era and Me Blog .  This timeline is really for me to help me understand what periods the fashions I like might fall into when I see different styles.  I am far from and will never claim to be any kind of an expert on historical fashion periods.  My timeline is being included in my sidebar as a personal reference tool for me. Something I can learn from, something I can update, something changeable if incorrect, and something I can update from time to time.

HISTORICAL FASHION PERIODS

  • 0476 A.D. - 1150 Dark Ages
  • 1150 - 1485 Medieval, Gothic, Middle Ages
  • 1485 - 1550 Renaissance
  • 1558 - 1603 Elizabethean/Jacobean
  • 1620 - 1660 Cavalier (Early Baroque)
  • 1660 - 1715 Baroque Restoration - The Golden Age - Louis XIV
  • 1715 - 1775 Rococo
  • 1769 - 1821 Napoleonic Wars
  • 1775 - 1795 NeoClassical
  • 1790 - 1795 Revolution
  • 1795 - 1815 Directorie/Empire
  • 1800 - 1803 Classical Greek Dress
  • 1800 - 1820 Regency Fashion
  • 1800 - 1837 Georgian Era
  • 1804 - 1807 Etruscan and Egyptian Ornament
  • 1815 - 1848 Romantic
  • 1837 - 1860 Early Victorian - Charles Worth Era
  • 1837 - 1901 Victorian Era
  • 1848 - 1870 Victorian Crinoline
  • 1860 - 1882 Victorian First Bustle Era
  • 1870 - 1890 Victorian Bustle
  • 1870 to 1914 Fun De Siecle, Art Nouveau Movement
  • 1883 - 1901 Late Victorian - Second Bustle Era, Gibson Girls, Naughty Nineties
  • 1890 - 1913 Edwardian
  • 1895 - 1914 La Belle Epogue, Lost Golden Age
  • 1914 - 1918 WWI
  • 1920 - 1930 Art Deco and Roaring Twenties
  • 1930 - 1940 Golden Age of Hollywood - Rise of Chanel, Stylish Thirties
  • 1930 - 1950 Hollywood Glamour Girls
  • 1939 - 1945 WWII
  • 1940 - 1960 Dior Revolution. The New Look Era, Hourglass Silhouette
  • 1945 - 2000 Ready To Wear Fashion or Pret-a-Porter
  • 1950 - 1960 Rock N Roll Era
  • 1960 - 1975 Hippies, Flower Power, Baby Boom Generation, Op Art
  • 1975 - 1980 Mini skirts, Twiggy, Disco Fever
  • 1980 - 1990 New Romantics, Power Dressing, Yuppies,
  • 1985 - 2000 Grunge, Deconstructionism, Minimalism, Purism, Bo Ho Hippy

Wednesday, June 8, 2011

Another Victorian Cross-Stitch Picture And It's Absolutely Wonderful!



I don't know if you remember or not, but last December I wrote a blog post entitled  "You Spent How Many Hours On That Cross-Stitch?" that talked about my spending over 250 hours on a cross-stitch picture. Back then you may have thought that 250 hours is a long time to spend on one project. Well, if I told you that I just spent 315 hours on another cross-stitch picture you might think I really have lost my mind.

I started this Dimensions Needlecrafts Counted Cross Stitch, In Her Gardenon December 29, 2010 and finally finished it on May 14, 2011. Hubby painstakingly documented my progress day by day so we'd have a detailed breakdown. I worked on this a few hours every day - every chance I got. I quickly learned that there were a lot of color changes due to all the flowers and, as a result, this was going to take a lot of time. And, for sure, it did.

So, was the 315 hours worth it? Absolutely! I'd do it again as the cross-stitch picture framed (shown in the picture above) is absolutely stunning.

To give you a little background on why I would create yet another massive cross-stitch picture I have to take you back to the rationale for my previous cross-stitch picture.  In July, 2010 I wrote a Linda's Blog post about my pressed flower pictures entitled "My Pressed Flower Pictures - Now That's A Great Idea!" In that post I told you about a large pressed flower picture I had made that was hanging in our master bedroom and, sadly, was fading which meant it needed to be replaced.

Well, my husband thought a needlepoint picture like the one I had done in the dining room but much bigger would be nice. I wrote about this needlepoint picture awhile ago in a Linda's Blog post entitled "Needlecraft Picture From A Decade Ago - Or So!"

So, since our house is filled with dolls and pictures of buildings & houses I thought a cross-stitch Victorian scene might be just the thing. So, I set out to find some large cross-stitch kits that would be suitable.

Sunday, April 24, 2011

A Day For Lilies

Easter - the end of the winter and the beginning of spring. What a wonderful time of the year. When I think of Easter I think of Easter outfits, Easter baskets, church services,  and Easter lilies.

My favorite, of course, is Victorian Easter dresses. Second to that is the Easter lily. I can remember coming home each Easter from church with an Easter Lily. I loved them then and I love them now. In fact, I have a garden filled with them along with tiger lilies, daffodils, tulips and day lilies.

The reason my garden is filled with them is because each and every Easter for the last 30 years or so my Mother would bring one to me. After the blooms were gone I'd plant it in my garden. That way, every year I got to marvel at the sheer beauty and delicacy of its blooms. They are magnificent.

The lily is a symbol of purity because of its whiteness and very delicate form. It symbolizes innocence. It's called the Easter lily because the flowers bloom in early Spring, around Easter. The white lily, or Bermuda trumpet, was brought to the United States from Bermuda in 1880 by Mrs. Thomas P. Sargent of Philadelphia, Pa. It has become the mainstay of Easter floral arrangements and church decorations.

This will be the second year without an Easter lily from Mom.  While we won't have a lily to look at we will have many, many wonderful memories of beautiful Easter Sunday's with Mom.  Sitting in our sun-room or outside in the gardens we will always have treasured memories of times filled with love, laughter, and beautiful lilies.

If you have an Easter lily or have been given one make sure that you plant it in your garden. That way you'll see it bloom time and time again. So, each year you can't help but marvel at its magnificence.

We hope everyone has a very Happy Easter.

Graphics - Courtesy of The Graphics Fairy at http://graphicsfairy.blogspot.com/