In doing my research on faceless dolls I was delighted to run across some websites concerning the application of "faceless" dolls in charity today and why they were chosen or made "faceless."
Back in 2006 one of those articles was about "faceless" dolls of Gloria Larocque. She has created 100 or more "faceless" dolls based upon the Iroquois legend that warns young girls about the dangers of vanity.However, according to the article her purpose is different. Her dolls represent Canada's murdered aboriginal women, a group made faceless not by vanity but by neglect. Her project has helped draw attention to the plight of the murdered aboriginal women.
According to Gloria:"The dolls will act as a centre-piece for educating children about traditional Aboriginal culture, maintaining cultural integrity through a contemporary setting. As a teaching tool kit, the idea will be to plant seeds of survival skills concepts such as choice, strength, education, cultural connection and knowledge of self.
The kit will contain a doll in the same fashion as an Aboriginal Angel Doll, and will be presented as an “elder”. The doll will be known as Kookum RETA (grandmother rejuvenate, educate, traditional, acceptance) of the Aboriginal people from Turtle Island. The power of the elder teaching the young is a traditional aboriginal teaching method."

In 2010 the Native Women's Association of Canada (NWAC) contacted Gloria Larocque to explore the possibility of creating a similar project as hers that, "would carry forward the visual representation of strong and beautiful Aboriginal women who have become ‘faceless’ victims of crime. This collaboration resulted in NWAC’s Faceless Doll Project. The dolls created through this new project will be used to create a traveling art exhibit in memory of the more than 600 missing and murdered Aboriginal women and girls in Canada. NWAC’s Faceless Doll Project was launched in March 2012 and Community Engagement Workshops were held across the country (funded by the Status of Women Canada). Community members were invited to come and hear the Faceless Doll story and create their very own doll for inclusion in this
commemorative art project. All workshop materials were provided."
The NWAC created a Building On The Legacy Of The NWAC Faceless Doll Project: Create Your Own Faceless Dolls .PDF concerning this initiative and containing information for workshops for groups to create faceless paper dolls in tribute and solidarity of the 600 missing and murdered Aboriginal women. If you would like to see and read the Building On The Legacy Of The NWAC Faceless Doll Project: Create Your Own Faceless Dolls .PDF please click here.
There was also an article by Brenda Tobias on the Cornell University website concerning Hurricane Katrina and something the alumni did to help the children affected by Hurricane Katrina. A group of 100 alumni got together to sew "faceless" dolls for the children. Doll decorating kits and coloring books were assembled and sent to the children to comfort them.

As far as Raggedy Ann is concerned, one of the legends surrounding her creation is that a little girl was rummaging around her Grandmother's attic and finds a faceless, battered old doll. She brings the doll into her fathers art studio and tells him all about finding it in the attic. He looks at his daughter and the faceless doll and decides to draw a whimsical face on it and then tells her to see if her Grandmother would sew two button eyes on. And so Raggedy Ann was born.
One of the greatest things about creating art dolls is they can be made out of any media and be an expression of whatever the artist or maker wishes to convey. Sometimes the art doll is funky, wild, out of this world, happy, sad, or just plain "out there!"
The 7 faceless dolls include: Jumping Jack who is a wooden bead doll, Timelines which is a textile figure doll, Statuesque and Painted Lady which are four-sided paper dolls, Angelica and Angel Choir who are wooden doll peg painted angels, Wired Woman which is a bended wire doll, Heart Of Glass which is the beaded doll shown in the picture to the left, Man Of Dreams and Woman of Soul which are four-sided paper dolls, and Button Up which is a wood bead and button doll. Templates, if required, are included in the book but would need to be re-sized as they are shown at 67% of their size.
I love angels and all the beauty, goodness, and protection they represent and especially love, guardian angels whose job it is to protect you, groups of people, even the world.
"But to give peg people a little extra personality, a little extra zing if you will, they might need a wee bit more than paint. Shaping peg people (as I have discovered after creating 10 of them) gives them a little more personality. Children have marvelous imaginations and certainly do not require the level of detail I have given my creations, but I enjoy making them. Plus in the past, our students did seem to especially enjoy playing with toys they knew I had created with our class in mind."
NAmer41. U.S.A. Colonial Clothespin Doll
NAmer40. Eagle, Alaska, U.S.A.. Alaskan Mother and Baby 

Her blog contains a
Christy Tomlinson is a self-taught very talented mixed media artist, who as she says, "who isn't afraid to get my hands messy and let my heart be open" and the creator of the "
"The reason I don't often times.. or MOST times put faces on my girls is because when there is no face, the observer of the art is left to determine the mood, the soul of the girl. Sometimes just by adding even shading in certain places or adding details down her neck, or in her hair..tell more about her, than a set of eyes do.. staring at you from the canvas."
The Wikihow.com website has a
She directed me to several websites selling faceless cloth dolls for Muslim children. They were as follows:
Once the children grow they want more challenging toys. The ragdolls from Aisha Dolls all have removable clothes and woolen hair which invite the child to imaginative play. All dolls are faceless.
The Knecht Ruprecht blog has a
On the
Jean Van't Hul of the Artful Parent blog posted a 
According to
The Utah Museum of Fine Arts created a wonderful
According to the University of Minnesota article on The Legend of the Worry Dolls by Sara McDonnell, "The indigenous people from the Highlands in Guatemala created Worry Dolls many generations ago as a remedy for worrying. According to the Mayan legend, when worrying keeps a person awake, he or she tells a worry to as many dolls as necessary. Then the worrier places the dolls under his or her pillow. The dolls take over the worrying for the person who then sleeps peacefully through the night. When morning breaks, the person awakens without the worries that the dolls took away during the night."